Slika:Sir Thomas Elyot by Hans Holbein the Younger.jpg

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Povzetek

Portrait of Sir Thomas Elyot.   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Avtor
Hans Holbein mlajši  (1497/1498–1543)  wikidata:Q48319 s:it:Autore:Hans Holbein il Giovane q:it:Hans Holbein il Giovane
 
Hans Holbein mlajši
Nadomestna imena
Hans Holbein der Jüngere, Hans Holbein
Opis -nemški slikar in risar
Datum rojstva/smrti 1497 ali 1498
date QS:P,+1497-00-00T00:00:00Z/8,P1319,+1497-00-00T00:00:00Z/9,P1326,+1498-00-00T00:00:00Z/9
med 7. oktobrom 1543 in 29. novembrom 1543
date QS:P,+1543-00-00T00:00:00Z/9,P1319,+1543-10-07T00:00:00Z/11,P1326,+1543-11-29T00:00:00Z/11
Kraj rojstva/smrti Augsburg London
Kraj ustvarjanja
Basel (1515-1526), Luzern (1515-1526), Benetke (1515), Bologna (1515), Firence (1515), Rim (1515), Benetke (1517-1518), Bologna (1517-1518), Firence (1517-1518), Rim (1517-1518), London (1526-1528), Basel (1528-1532), London (1532-1543)
Normativna kontrola
creator QS:P170,Q48319
Naslov
Portrait of Sir Thomas Elyot.
Opis
Sir Thomas Elyot (c. 1490–1546) was a diplomat, Member of Parliament, and a humanist writer, part of the circle around Sir Thomas More. Holbein made this study, along with that of Elyot's wife, Margaret (left), for matching paintings now lost. Both drawings are strongly reinforced with Indian ink around the heads and headgear, a technique absent in the portrait studies of Holbein's first English period. Dating from the earliest stage of his second stay in England, which started in 1532, the drawing is unusually well preserved, down to the white chalk heightening on Elyot's nose.[1] The sitter wears his hair long, in the older fashion.[2] At the time of this drawing, Elyot had just returned from a hopeless mission to persuade Emperor Charles V to accept Henry VIII's treatment of his aunt Katherine of Aragon. As a friend of Thomas More, however, Eliot was suspected of favouring Katherine over Anne Boleyn. Holbein indicates in this drawing that Elyot is wearing a crucifix on a chain, a sign of his traditional faith.[3] In 1531, Elyot had lamented the standard of native-born artists, complaining that the English "be constrayned, if we will have anything well paynted, kerved, or embrawdered, to abandone our own countraymen and resorte unto strangers".[4]
Datum 1532–34
Medij kreda, nalivnik in čopič na papirju (pink-primed paper)
Velikost višina: 28,6 cm; širina: 20,6 cm
dimensions QS:P2048,28.6U174728
dimensions QS:P2049,20.6U174728
institution QS:P195,Q1459037
Napisi

Text zgoraj levo:

Th: Eliott Knight
Sklici
  1. Susan Foister, Holbein in England, London: Tate, 2006, ISBN 1854376454, p. 52.
  2. K. T. Parker, The Drawings of Hans Holbein at Windsor Castle, Oxford: Phaidon, 1945, OCLC 822974, p. 40.
  3. Derek Wilson, Hans Holbein: Portrait of an Unknown Man, London: Pimlico, Revised Edition, 2006, ISBN 9781844139187, pp. 179–80.
  4. Xanthe Brooke and David Crombie, Henry VIII Revealed: Holbein's Portrait and its Legacy, London: Paul Holberton, 2003, ISBN 1903470099, p. 47.
Vir posnetka/fotograf Royal Collection
Druge različice

Licenca

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