Povzetek

Lawrence Alma-Tadema: Phidias Showing the Frieze of the Parthenon to his Friends
Umetnik/izdelovalec	Lawrence Alma-Tadema  (1836–1912)      Nadomestna imena Lawrence Alma Tadema, Lourens Alma Tadema, Laurens Alma Tadema Opis nizozemsko-britanski slikar, risar, jedkar in ilustrator Datum rojstva/smrti 8. januarja 1836  25. junija 1912  Kraj rojstva/smrti Dronryp Wiesbaden Obdobje ustvarjanja 1851-1912 Kraj ustvarjanja Antwerpen (1852-1865), Leeuwarden (1855), Köln (1861), Pompeji (1863-1864), Pariz (1864), Bruselj (1865-1870), London (1868, 1870-1912), Egypt (1902-1903) Normativna kontrola : Q240526 VIAF: 68986036 ISNI: 0000000081483905 ULAN: 500008100 Open Library: OL5558878A DBNL: alma001 WorldCat creator QS:P170,Q240526
Naslov	angleščina: Pheidias and the Frieze of the Parthenon  title QS:P1476,en:"Pheidias and the Frieze of the Parthenon " label QS:Len,"Pheidias and the Frieze of the Parthenon " label QS:Lfr,"Phidias montrant la frise du Parthénon à un ami" label QS:Lla,"Phidias protypos Parthenonis amicis suis monstrans"
Vrsta objekta	slika
Zvrst	zgodovinsko slikarstvo
Upodobljeni ljudje	Fidij
Datum	1868
Medij	olje na platnu
Velikost	višina: 72 cm ; širina: 110,5 cm  dimensions QS:P2048,+72U174728 dimensions QS:P2049,+110.5U174728
Zbirka	Birmingham Museums Trust    Kraj Birmingham , Združeno kraljestvo Koordinate 52° 28′ 48,18″ S, 1° 54′ 12,87″ Z   Spletno mesto www.birminghammuseums.org.uk  Normativna kontrola : Q4916759 VIAF: 316390754 LCCN: nb2015009910 WorldCat institution QS:P195,Q4916759
Lokacija	Birmingham Museums Trust
Inventarna številka	1923P118 (Birmingham Museums Trust)
Opombe	English: Painting shows at left the North frieze slab XLVII and the West frieze Slabs I and up visible at right in the Parthenon.[1] Among the spectators, critics have identified Pericles, the bearded man facing Phidias. Next to him is his mistress, Aspasia. In the foreground stands a youth, Alcibiades, with his lover, Socrates.[2][3][4] The painting is currently housed (2021) in the Birmingham Museum and Art Gallery.
Sklici	https://www.birminghammuseums.org.uk/explore-art/items/1923P118/pheidias-and-the-frieze-of-the-parthenon  Art UK artwork ID: pheidias-and-the-frieze-of-the-parthenon-33742
Vir posnetka/fotograf	Birmingham Museums
Druge različice	Ta datoteka ima izvlečeno sliko: 1868 Lawrence Alma-Tadema - Phidias Showing the Frieze of the Parthenon to his Friends (cropped).jpg. Detail, Socrates and Alcibiades

Licenca

To je zvesta fotografska reprodukcija izvornega dvorazsežnega umetniškega dela. Samo umetniško delo je v javni domeni iz naslednjega razloga: Public domainPublic domainfalsefalse To delo je v javni domeni tudi v državah in na območjih, kjer trajajo avtorske pravice za časa avtorjevega življenja in še 100 let ali manj po tem. Delo je v Združenih državah Amerike v javni domeni, saj je bilo objavljeno (ali registrirano pri Uradu za avtorske pravice ZDA) pred 1. januarjem 1929. Datoteka je bila prepoznana kot prosta omejitev po avtorskem pravu, vključno z vsemi povezanimi in sorodnimi pravicami. https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse Uradno stališče Fundacije Wikimedija je, da so »zveste reprodukcije dvorazsežnih del v javni domeni in da so nasprotne trditve napad na samo pojmovanje javne domene«. Podrobnosti so na razpolago na strani Commons:When to use the PD-Art tag. V javni domeni je torej tudi ta fotografska reprodukcija. Zaradi krajevnih zakonov je v nekaterih jurisdikcijah uporaba prikazane vsebine lahko tudi prepovedana ali omejena. Glej Commons:Reuse of PD-Art photographs.

References

1. ↑ See Parthenon Frieze Slabs at [1] Last accessed 07-Apr-2007
2. ↑ "[S]undry prominent Athenians, including Perikles with Aspasia, and Socrates with young Alcibiades, perambulate the scaffolding . . ." Nigel Spivey, Understanding Greek Sculpture, p.152
3. ↑ "he introduces us to Phidias showing the frieze of the Parthenon to Pericles, Alcibiades, and Aspasia;" in SCRIBNERS MAGAZINE, DECEMBER 1895, LAURENS ALMA-TADEMA, R.A. By Cosmo Monkhouse; p.670 Photo of page in the Cornell Library
4. ↑ "Little is actually known of the life of Phidias, but Alma-Tadema's picture easily convinces us that thus the great sculptor displayed to his friends and patrons his completed handiwork. Phidias himself, standing within the rope barrier, seems to await the favorable verdict of his illustrious protector, Pericles, who confronts him and has at his side the beautiful Aspasia. The young man at the extreme left seems meant for Alcibiades, who has also accepted an invitation to this private view of the frieze of the Parthenon, seen not as we now behold it in the British Museum, but with its match-less figures glowing with the tints just laid upon it by Phidias and his fellow-workers." in Among the Great Masters of Painting: Scenes in the Lives of Famous Painters; Walter Rowlands p.2

Socrates

Alcibiades

Pericles

Aspasia